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Mexican director Fernando Frías de la Parra loves shooting on borders. Not only the geographic—also the cultural, those of class and, in cinematic terms, of genre. He has shown that in his previous film, I’m No Longer Here (2019), and he does it again in I Don’t Expect Anyone to Believe Me, a violent cop film that is also a comedy, sometimes a romantic film (in its own way), an…
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